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terry Senior Contributor 200+
Joined: 22 Apr 2003 Posts: 262 Location: UK
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Posted: Fri Jan 13, 2006 10:19 am Post subject: |
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John
I also enjoy your non-controversial interactions in the LS3/5a mailing lists. Keep up the good work!
Terry |
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boyzo Intermediate Contributor 25+
Joined: 10 May 2003 Posts: 44
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Posted: Tue Jan 17, 2006 11:48 pm Post subject: |
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Ok Terry
terry wrote: | John
I also enjoy your non-controversial interactions in the LS3/5a mailing lists. Keep up the good work!
Terry |
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horace Junior Contributor 10+
Joined: 05 Oct 2003 Posts: 10
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Posted: Tue Jan 24, 2006 6:34 pm Post subject: |
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Hello all, my first post here for a while - couldn't say no boyzo's thrown gauntlet!
OK, I'll bite - Isobariks are wonderful. I have used them for several years now and have no desire to change them. Well, almost none (see below).
Bass: briks do bass like no other speaker I know (well, like no other speaker I can afford, at least! a used pair of DMS briks can be had for as little as ?300, at which price they are untouchable IMHO, providing you drive them properly). Deep, rich, authoritative. Nice.
Slightly off topic, I have now acquired a second pair of isobariks (much to my wife's annoyance, as she finds them even uglier than she finds me!). I couldn't resist them - heavily modified by Russ Andrews some years ago with reworked crossovers, fancy internal wiring and visaton ribbon tweeters in place of the original domes. I haven't the words to describe how good they are. All of the benefits of the originals (and some!) with none of the vices. The new pair are far easier to drive, with the sweetest top end and none of the midrange colouration of the originals. As an experiment, I even managed to get them to sing with a 40 wpc KT88 valve integrated. Try doing that with original briks (no, on second thoughts, don't. Could be messy). A Linn LK280 is my amp of choice and seems about ideal IMHO.
They came with a pair of Mr Andrews' custom built torlyte (whatever that is...) stands. I haven't done a direct comparison with the Linn open frame ones, but they certainly look nicer and don't sound obviously worse. In any case, humping briks around is for masochists and weightlifters only, so an A/B test won't be happening soon!
So, boyzo, I respectfully disagree with your assessment of Isobariks. Each to his own.
I'm off to spend an hour or two with Mahler, Miles Davis and Macallan. Fine company indeed.
Regards
Martin
________
MEDICAL MARIJUANA CARD
Last edited by horace on Tue Feb 15, 2011 11:39 am; edited 1 time in total |
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proffski Über Contributor 1000+
Joined: 22 Aug 2003 Posts: 1297 Location: Tewkesbury UK
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Posted: Tue Jan 24, 2006 8:02 pm Post subject: |
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Oh Rhapsody!
I agree with all you say, but I'd rather be joined by a Laphroaig! |
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Parts Senior Contributor 100+
Joined: 13 Jan 2006 Posts: 181 Location: Edinburgh
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Posted: Wed Jan 25, 2006 12:28 pm Post subject: |
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Or Coal Ila , or Hillside , or Abhunad , or Glengarioc , or even Ardbeg , with a bit of Ten years after , Jan Ackerman , Gong or Grobschnit . |
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proffski Über Contributor 1000+
Joined: 22 Aug 2003 Posts: 1297 Location: Tewkesbury UK
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Posted: Wed Jan 25, 2006 1:06 pm Post subject: |
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And we thought that it was just the Hi-Fi nutters in Gloucestershire who liked single malts with their music...
Parts wrote: | Or Coal Ila , or Hillside , or Abhunad , or Glengarioc , or even Ardbeg , with a bit of Ten years after , Jan Ackerman , Gong or Grobschnit . |
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suffolk2 Intermediate Contributor 50+
Joined: 30 Dec 2006 Posts: 59 Location: Suffolk,England
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Posted: Wed Jan 03, 2007 12:48 am Post subject: |
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I heard the isobariks in the 80s coupled to linn amps and LP12
in a Hi-Fi exhibition in London and I was amazed at the bass extension.
I am still keen to buy a pair and see what it sounds like at home,
hopefully it will blow me away.
Listening to all the different sounds/systems in a Hi-Fi exhibition is
an eye opener - some do sound aweful despite costing £000's |
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proffski Über Contributor 1000+
Joined: 22 Aug 2003 Posts: 1297 Location: Tewkesbury UK
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Posted: Wed Jan 03, 2007 2:10 am Post subject: Linn & Naim. |
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I always in the past found that Naim Electronics particularly suited Linn loudspeakers.
There was a signature from the amplification that reminded me of my Amcron DC150 and DC300 amplifiers.
Not subtle but they sure made the point!
We even ran a high quality disco (Discolord) using Amcron and Tannoy Ardens. The fill in loudspeakers were my poor suffering KEF 104aBs.
These were run by a heavily modified Radford HD250.
Only used in smal venues with a mediocum of care.
At one golf club the tweeters in the 104s caught fire and a few electrolytics in the crossover expoloded. Never made that mistake again. IDIOT!
Oh the lovely nostalgia indeed!
Ten Year After Stoned Henge, early Gong et al... BRILLIANT!!! |
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suffolk2 Intermediate Contributor 50+
Joined: 30 Dec 2006 Posts: 59 Location: Suffolk,England
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Posted: Thu Jan 04, 2007 8:32 pm Post subject: |
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havent heard of these before [ Amcron DC150 and DC300 amplifiers]
are they high end and what sort of watts per channel ?
i do like tannoy speakers too, esp the large cabinet ones.which one
is your favourite ?
lol - 104s not really disco spkrs are they !! you must have cranked
up the volume !!
also heard the Saras and Kans, from what i can remember they
are ok speakers. |
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ColinR Über Contributor 1000+
Joined: 31 Jul 2004 Posts: 1175 Location: Staffordshire
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Posted: Thu Jan 04, 2007 10:26 pm Post subject: |
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Quote: | DC300 amplifiers.
Not subtle but they sure made the point! |
Malcolm Jones has just made a couple of Cadenza "exhibition crossovers" for me.
I replied to his email where he mentioned their inefficiency with a picture of my pair of refugees from Abbey Road.
In his response he commented "enough to start a small fire".
No way , on mine the bridging switch is purely decorative . _________________ This post or any other information supplied to this website or any other by myself is not available for any form of commercial purpose i.e. to hi-fi magazines or as sales and marketing material for sleezeBay or Audiodogging pimps and the like. |
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proffski Über Contributor 1000+
Joined: 22 Aug 2003 Posts: 1297 Location: Tewkesbury UK
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Posted: Sat Jan 05, 2008 8:27 pm Post subject: |
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sound59 wrote: | I recall a local Disco in the Midlands when I was 17 (31 years ago!) that ran using Amcrons and Tannoy speakers. Sounded quite phenomenal. |
Good Grief!
Was the disco by any chance called "Disco Lord"?
The speakers Tannoy Ardens?
Also for near field addition when using split rooms KEF 104ab + modified Radford HD 250 amplifier? _________________ I contend that for a nation to try to tax itself into prosperity is like a
man standing in a bucket and trying to lift himself up by the handle.
-Winston Churchill |
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proffski Über Contributor 1000+
Joined: 22 Aug 2003 Posts: 1297 Location: Tewkesbury UK
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Posted: Sat Jan 05, 2008 8:34 pm Post subject: |
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suffolk2 wrote: | havent heard of these before [ Amcron DC150 and DC300 amplifiers]
are they high end and what sort of watts per channel ?
i do like tannoy speakers too, esp the large cabinet ones.which one
is your favourite ?
lol - 104s not really disco spkrs are they !! you must have cranked
up the volume !!
also heard the Saras and Kans, from what i can remember they
are ok speakers. |
Yup! We did a lot of shows in hotels and clubs with split venues.
The Tannoys and Amcron went to the dance floor, the KEFs were mainly used in bar or lounge areas at receptions and seldom cranked up.
However, after a venue at one of the local golf clubs the KEFs stopped working and one of the tweeters literaly went phut and caught fire!
YEs the fuses had been bypassed...
Upon opening the speakers the following day the crossovers were splattered all over inside of the cabinets, surprisingly one woofer survived.
All was replaced by KEF at a cost and never used for that purpose ever again.
I made some special 'Fill In' monitors in custom cabinets using high efficiency multiple drivers. _________________ I contend that for a nation to try to tax itself into prosperity is like a
man standing in a bucket and trying to lift himself up by the handle.
-Winston Churchill |
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